Shanna Battaglia

Oils and Gouache Digital
Desi, Oil on canvas Gazelle, Oil on hardboard Sara, Oil on canvas Nhat Lise A dead monarch someone left in the studio Spruce Knob, WV, Plein Air with Oil Bell Rock, Sedona AZ, Plein Air with Gouache Sedona plein air warmup "Redwall" Desi
Erin, Digital (Procreate) Velocinaut! "Make a little birdhouse in your soul" Julie "Alchemical Engineering" "Amethyst Basil" They're not an owl, they make webbed footprints, but once I thought it I couldn't un-think it.

I strive to be a well-rounded nerd. My career has been a meandering path through the cybersecurity world, but I'm lucky to have access to a thriving artist community. I've studied portrait and figure for over a decade there, and for several of those years served as a teaching assistant.

Lessons on painting technique have also shaped me into an overall more confident person. Reaching vibrant colors taught me to be a little bit louder than I think I should be. I practice letting go of the details that are not the focus of the big picture. I swing my brush energetically, suddenly unafraid to take up a little space.

Lately I've been drawn back to my original love of illustration. My favorite subjects are the imaginary worlds inhabited by the smallest of creatures. It's like carrying a pocket full of stories everywhere I go. I can see their colorful stories in the ordinary woods around me, or hidden in miniature below the mundane floorboards. It's always been fun to translate human emotion onto non-human faces. Now I'm enjoying fresh challenge of apply the lessons of the last years to visual storytelling -- After the effort to conjure objects from imagination, I need to be able to let some of those details go. A focus on digital media requires channeling the energy of a large canvas into a small screen, but in turn offers techniques that are impossible in physical paint. Hardware or software quicks only fulfill my need to always be troubleshooting.


Sagan the Sato in her zoomie state